New page for “Examples, samples etc.”

A photo of some old and new dip-pens

A bunch of pens

Over the last week or so I’ve been busily updating parts of my website to make it easier to find things quickly. One of main changes is this new “Examples, samples etc.” page where you can quickly access some of my work.

I’ve also been adding a few audio recordings of some of my poems taken from recent performances in Rochdale and Oldham and these have been included this new page along with written versions.

Photo of Seamus reading on the radio

Reading on the radio – photo courtesy of Hannah

Other changes to the site include another new page “Events & appearances” where you can easily find out about where I am reading my poetry and running workshops, complete with links to recordings, reports and reviews from the events where available.

 

 

Picture of Seamus reading with a large Union Jack projected in the background

Reading at Eroica 2016

 

Rochdale Literature Festival Fringe – Vibe – 23rd October 2016

The Fringe event at Vibe on Drake Street in Rochdale had grown this year. Over 70 people crammed in this morning to see and hear a range of acts and they were certainly not disappointed.

Organiser Steve Cooke and compere Norman Warwick professionally introduced the acts, smoothed the technical issues and put everyone at their ease.

After some last minute alterations to the programme I was to follow a performance by Touchstones Creative Writing Groups (Pulling Threads their performance arm) who gave a very powerful and moving performance of their 1st World War commemorative piece. A quick change to my set saw my short poem about our government’s decision to bomb Syria prefaced by an appropriate verse from “Where have all the flowers gone” by Pete Seeger.

My set then included “A platform I don’t know”, “Infinity”, “Mental stuttering”, “Funeral poems”, “Come on Hat” and ended with a poem about my uncle Pat called “Come on hat”.

You can find a recording of A platform I don’t know by CLICKING HERE

I’ll add or link to a review of the event in the next few days.

A week is a long time in poetry (or is it?)

jam-seamusOr of course it is, and of course it isn’t!

Thats the beauty of poetry, you can make of it what you will.

This stuff is all about words, meanings and how we put things together; for example in the line above “make of it what you will” means to you can interpret something as you desire (“will” understood as the expression of the future tense) but can equally be read as you can make of it the thing you are going to make (“will” this time understood as the expression of an inevitable event).

That’s the thing with poetry, it can be taken in different ways, the writer can decide whether to determine what the reader or listener is likely to hear or the poet can leave the reader to create their own interpretations. Anyway enough of this grammatical chicanery; a week is a long time in poetry.

So is a week a long time in poetry?

Sometimes it can feel that way as an anticipated event draws near and preparation is done at a nice leisurely pace, other times when there is to be too little time to prepare that week can fly by in what seems like an instant.

This week for me involves lots of work on our upgraded kitchen (tiling, electrical sockets and a bit of decorating so far) as well as  3 poetry events and hopefully a bit of time to think and to write something new. The literary content of the week looks a bit like this:

  • This evening we’ll be relaxing in Littleborough at Robin Parker’s open mic event (at the Red Lion from 7.30pm). Last year this was a really pleasant evening with the chance to see and hear some brand new poets and to catch up with a couple I’d not seen for quite a while. This event has the added bonus of being within walking distance from home.
  • Tomorrow I may be delivering a workshop although even at this stage the exact details are still to be confirmed because I’ve been asked to step in as a last minute replacement for the facilitator who has been unable to take part.
  • On Friday I’ll be heading off with my wife to see author Joanne Harris (writer of novels including “Chocolat” with her new book “Different Class”) as part of Rochdale’s Literary and Ideas Festival.
  • Finally on Sunday as part of theFringe events for the 2016 Rochdale Literature and Ideas Festival I will be delivering a 20 minute set at Bar Vibe on Drake Street. The event will kick off at 11.00am with Steve Cooke opening and introducing Norman Warwick, back briefly from his retirement in Lanzarote, and a string of local talent in writing and music. I’ll be taking the stage at 13.10 and expect to bring some new and some old, some happy and some sad and of course I’ll probably change my mind depending on the prevailing mood of the event.

So this week is a busy one poetically and that makes it feel like a relatively short week in poetry after all.

 

Oldham Library on National Poetry Day

Now as the metaphorical poetic dust settles on National Poetry Day 2016 it is time to look back and reflect on a busy and rewarding day. My day started with an early trip to Pleckgate High School in Blackburn and my morning there is the subject of its own blog post HERE. In the evening after a quick change and a bite to eat I was off to run a session for Oldham Libraries.

Way back in May I had a message from Oldham Library asking if I was available to run an evening poetry session for National Poetry Day in October. A little discussion followed around the nature of the session required, times and fees and the session was duly booked. Some basic biographical information, detail of the workshop and a photo were provided for publicity purposes and all was set with 5 months still to go.

A few days before the event I was contacted by the super-helpful Sam Thornley from the Library to enquire if there was anything I would need for the session and make sure all was in hand. On the day it was Sam who met me as I arrived at the Library, showed me to the performance are and to the dressing room complete with tea and coffee and a key so that I could leave things securely. This this was the first time I’ve been offered a dressing room; I found myself wishing that I’d not get ready before leaving the house.

I started the session by sharing a few of my poems and a couple by Seamus Heaney and Pablo Neruda and followed that up with a brief chat with the participants. It turned out, as it often does, that some people were already fairly accomplished writers with a number coming from various local writing groups, others were keen to refine or develop skills and techniques whilst some others had not yet written any poetry at all.

I based the session on my Power of Poetry workshop (see details of my workshops HERE) and everyone got involved in discussion and creating something brand new. Samples of some lines/thoughts from the participants are shown below:

img_2585

 

As we headed home Sam was already collecting the first feedback from participants so that the next morning he could email me with some feedback including:

  • the audience found the session to be fantastic!
  • We have had many rating the workshop as excellent
  • one lady told us it was “life changing”; many have even requested that we host similar events more often in the future.

I am of course delighted with this feedback and look forward to further opportunities to work with Oldham Library.

 

Kultura – August 2016 with James Nash

A short trip up the road to Todmorden for Kultura at Kava is always rewarded with a mixture of quality poetry, unexpected insights from the guest lecturer and of course and excellent cup of coffee.

kultura james nash

The guest lecturer last week was James Nash, top Yorkshire poet, who gave an interesting talk about how growing up in urban environments and now spending a significant proportion of his time in the country has influenced his writing, reading and life. He referenced influential writers, poets and songwriters  and I particularly enjoyed the section about walking along a dark country lane in Wales with references to both Wordsworth and Henry Vaughan. Having spent much of my time in the country James’ experiences often contrasted with my own and I was inspired to draft a little piece after the lecture reflecting my own experience of the total darkness in the countryside as a teenager.

Picture of James Nash lecture and my notes

James Nash’s lecture and my notes from the evening

Feature poet for the night was Atar Hadari, Israeli born poet, writer, playwright actor and mentor with a mix of poems giving new ways of looking at familiar stories from the Old Testament in his own words and translations of works from other writers. He read from his translation of Bialik, from his own book, Rebrandt’s Bible and spoke fondly of his mum rescuing the lamps of deceased Jews. Entertaining, thought provoking and (for some perhaps) a little controversial – great stuff.

John Foggin then read and led the discussion of his favourite poem (at least for the moment) and the evening ended with the open mic session featuring:

Anthony Costelloe, Shirley-Anne Kennedy, Jessica, Jonathan, Simon, Annie, Robert, John and myself.

There are only a few more of these monthly sessions left, as after three busy and successful years, Anthony will be folding up his compere’s music stand with a final flourish at the end of this year.

Remaining dates are – 29 September, 27 October, 24 November and 15 December 2016

And did I mention the coffee – it will still be served at Kava after Kultura has gone….

 

Feedback from Weaving Words – 22nd August 2016

Wow! What a great night over at Heywood Library on Monday.

Manchester pens 1Usually for an event in August we can expect low numbers as people are busy childminding, taking holidays and have lots of things to do other than go out and listen to a poet and take part in a writing workshop. Not this time – the room was full to capacity pushing the Edwardian air conditioning (little windows that opened with a pole) to its limits.

After a lovely (and not yet earned) brew and biscuits and a quick reorganisation of the furniture so everyone had somewhere to sit I was introduced by Eileen Earnshaw for the first “performance” part of the session. As I had planned I used mostly more recent poems supplemented by a few from my book and with excellent responses from the audience we all had a good time talking about bike racing, being an outsider, family, money, politics and modern society.

After the half hour “reading” (performance/reading/telling? – that is a discussion for another post) had flown by it was time for the workshop. We talked about what poetry is and I laid out a few simple rules for the session, gave some examples and offered some advice as I steered the group into creating their own poems of 16 lines. As always in workshop situations I was amazed by the way 20 people can put such different slants on a subject and the stunning and varied ways in which words could be combined to add impact.

New poemWe had poems about people, about places, about words and even about motorbikes and as the session went on I spent time supporting each of the participants whether through ideas, phrasing, choice of words, rhymes etc. Every now and then I’d come across something that really grabbed my attention and that was so clever, unique and powerful that with the permission of the writer would share it with the whole group.

We ended with some of the poets reading their work or having me read to the group on their behalf. Several of the attendees had never written poetry before but you really would know from hearing or seeing their words.

I’m grateful to Weaving Words and Eileen Earnshaw for inviting me to run this session, to Rochdale council and Punam Ramchurn for organising the venue and funding, to Heywood Library for their welcome and facilities and of course to to participants who threw themselves into the session and produced work to be very proud of. Thanks all. Below is some of the feedback received at the event:

Responses:

  • Did you enjoy the session   –  Yes:15     No:0
  • Was the session useful   – Yes:16     No:0
  • Would you attend future sessions   –     Yes:14 No:1
Comments:
  • Excellent, Inspiring
  • Very innovative, learning something new every session
  • Very useful for a technique to write in a more interesting and layered way
  • Really enjoyed the session and I nearly wrote my first poem (to be completed). Thank you very much
  • Great workshop, thought provoking
  • Lovely poetry and great workshop
  • Learnt loads, Seamus was great, loved the poetry and was helpful & encouraging during his workshop

Weaving Words Workshop – ready to roll

With my performance and workshop due tomorrow evening (Monday 22nd August) I had a look over my notes as final preparation – watched over by photos of two very special ladies. The session, organised by Weaving Words and Rochdale Library Service, takes place at Heywood Library and starts at 6.30pm with tea, coffee and biscuits and will run until about 8.30pm.

Picture showing Preparations for Weaving Words August Workshop

Preparations for Weaving Words August Workshop

After a performance of some of my poems including some of my newest ones as well as some from my book Thinking Too Much I’ll be leading a poetry workshop.

The session will be suitable for experienced and aspiring poets as well as those who haven’t tried their hands at poetry. We’ll look at what poetry is all about and then of course, with some support and prompts, everyone will have the chance to produce and perhaps share some brand new poetry. Most of all we should all have fun.

We’ll finish with a chat and for those who’d like to there will be a chance to buy a copy of my book.

It is always a privilege to see and hear brand new work, brand new ideas and to help people discover their own capabilities so I’m really looking forward to the session and it will be nice to catch up with Weaving Words group.

 

Kultura – Kava Cafe, Todmorden, June 2016

If you are looking for something a little different, something a little more intellectual, something more sophisticated or just a poetry evening with really good coffee then Kava Cafe in Todmorden is the place to go.

A monthly session, run by Anthony Costello and Shirley-Anne Kennedy, Kultura takes a different format from most open mic poetry events with a guest lecturer, a feature poet and a reading and discussion of a favourite poem all of which is followed by an open mic session generally with around 8 slots available. It is also unusual in that the majority of the audience does not consist of those aiming to read in the open mic. All of this leads to an informative, thought-provoking evening with plenty of entertainment.

The next Kultura will take place on 25th August 2016 and the poetry lecture will be by James Morgan Nash and the feature poet is Atar Hadari.

You can find more about Kultura from their own blog at: Kultura Blog

Below you can see my notes, in original scribbled form and the edited version from the Kultura session in June 2016 with the topic of the lecture reflected in my doodled sketches relating to vision and eyes:

Image of: My notes from Culture ready to be typed up

My notes from Kultura ready to be typed up

For this session the guest lecturer was unable to attend and that slot was filled at short notice by Anthony Costello himself and his chosen subject was “The Eye of Coleridge”. As is often the case I was unsure whether the subject would prove interesting and as is also usually the case I found it interesting, informative and entertaining – a particularly good job by Anthony considering the short notice he had for preparation. There were elements of Coleridge’s personal life and health that were knew to me and with examples of references to eyes in his work and his view s a seer or magician there was plenty to learn. The lectures are available in printed form at Kultura including copies for previous lectures.

The feature poet for the night was Peter Riley, award winning author of 10 books of poetry as well as being a well respected editor and essayist. Peter read his “earliest readable poem” and also from a sequence of verse written in his time in a traditional village in Transylvania which was under threat from modern life. Perter followed these with a few poems from north Derbyshire and the edge of the Peak District. Peter’s poems, which are full of atmosphere and create great little sketches of the places and people, were very well received by the audience.

Gaia Holmes shared and led the discussion of “Homing” by Liz Berry before an open mic session with 8 readers closed the session.

 

Performance and Workshop – Heywood – 22nd August

I’m really looking forward to delivering a special session for the Weaving Words writing group in Heywood. The group normally meet in Rochdale but are not yet able to return to their base at No.1 Riverside due to damage from the floods at the start of the year. In the meantime they have made Heywood Central Library a second home and this event will take place there – you can find the location from this link: Location map – Heywood Central Library

You can keep up to date with Weaving Words session and activities on their Facebook Page by clicking here: Weaving Words on Facebook

Image of the Flyer for Weaving Words workshop

Flyer for Weaving Words workshop

All are welcome and the session will start, as all the best session do, with tea, coffee and biscuits from 6.30pm to 7.00pm. Costs are kindly being covered by Rochdale Library Service and there is no charge for the session.

I’ll read a few poems from my book, Thinking Too Much, plus some newer work and then lead a workshop designed to get everyone writing some poetry. Whether they’ve never written poetry or are past-masters at the art I promise that participants will come away with something brand new to be proud of. They’ll probably even want to share their work with their fellow attendees….

After the workshop I’ll be speaking about all things writing with Eileen Earnshaw from Weaving words there will be time for a chat and of course a chance to buy copies of my book.

Eroica Britannia – The Universal Citizen – a little irony!

So the big day arrived and there I was sitting waiting over to one side of the stage and as the announcer stepped up introduce me I waited for the signal to climb the few steps to the stage.

I’d finally settled on the poems to complete the set the previous evening and they were printed and ready in my hand with a copy of my book as back-up should I decide to make any changes to the set as I went along. All pretty normal except that my hand that was shaking less than it usually might and I was feeling quite calm.

The signal came I stepped onto the steps, thanked the compere for her lovely introduction and walked up to the single microphone in the middle of the stage. There had been no soundcheck so I was a little surprised by the strength of the foldback speakers but at least I knew the audience would be able to hear:

“Hello

I’m Seamus

And I’m

I’m a poet….”

With those first few lines of one of my longest lived poems I introduced myself and hopefully set the mood.

As I did so the organisers projected a massive fluttering Union Jack on the large screen behind me. I had absolutely no idea and as I talked to the audience I had no reason to look back.

Picture of Seamus reading with a large Union Jack projected in the background

Reading at Eroica 2016

Photograph courtesy of my friend Howard Broughton.

My poetry doesn’t shy away from issues and it is no secret that my strong beliefs in social justice and fair treatment for ALL human beings are dear to me and feature large in my writing.

So as I stood (unknowing) in front of that massive symbol of national pride I read “Universal Citizen” pointing out that we are all the same regardless of where we happen to be born, I read “Not like the rest” criticising successive governments for failing to treat some people properly and I read poems about my own Irish (immigrant) background.

I now know (because they told me) that some of the audience loved the irony of that juxtaposition of myself and my words against that flag.

To me Nationalism is all about pride based on things other people have done in a place where we happen to be born or originate from. Of course we can be justifiably proud of our backgrounds but the flag, like all national flags, is not just a symbol of pride and of belonging but it can also be an emblem of difference, a symbol of we are better than you and if not used with care it can become divisive.

I love the place I was born, I love the places my parents were born. There are also other places I have come to love.

I don’t wave flags because where I happened to have been born and where my parents happened to have been born makes me no better, no worse, no more entitled or no more deserving than anyone else.

I am the Universal Citizen; whether you wave a flag behind me or not!

 

As for the set itself? Well the audience were great, very responsive and very attentive. People reacted to all of the less obvious references in the poems although very few picked up the references to Pancho and Lefty. The applause was warm and I was particularly pleased when people I’ve never met before came along to buy copies of my book which of course I was very happy to dedicate for them.

Sunshine and Poetry – Best way to work

This morning the sun has been shining, the mercury nudged past 24 degrees and the garden bench beckoned. I’ve dealt with emails, checked the social media and then set to work in this rather warm and temporary office.

My set list for Eroica Britannia (now only 11 days away) needed some more thought and, as I tend to doodle while I think, I have ended up with the illustrated set list as shown below:

Picture of the set list with doodles

Set list for Eroica 2016

I’ve yet to decide the order for the set but I know where it will start and I have a pretty good idea where it will finish too and the middle will always find its own way if necessary.

Perhaps I’ll produce some printed copies for the audience once it is finalised – I’d be interested to know if people think this is a good idea; please comment here or let me know on Facebook at – “shaycycles”

 

Eroica Set List grows

With just 2 weeks today until Britain’s most handsome festival of all things cycling and vintage my set list is taking shape. Like myself it has become a bit larger than it ought to be and over the next couple of weeks it needs to trim down a little.

Picture of my developing set list for Eroica 2016 in notebook

My developing set list for Eroica 2016

There are a poems that have been heard around the country, poems that have only been heard close to home and a few that have never yet been heard in public. The task challenge in finalising a set list is to appeal to the audience, to get over whatever messages are intended, to give the audience a range of emotional experiences and of course to do the things we love to do. For my Eroica set the questions include:

How many poems about cycling? (currently 5 or 6 on the long-list)

How many political poems? (tricky just days before the referendum, 1 or 2 on the shortlist)

How many personal and family poems? (a few that have wide enough appeal)

Can I risk the really serious subjects? (can I avoid them – no – so yes there’s a few in the long list)

Can I risk making the audience cry? (can I even stop them crying)

Should I give them something to laugh or smile about? (of course – even if just to stop them crying)

How many old ones?

How many new ones?

How many can I fit into a half hour set with room to breathe, to listen, to digest, to laugh or cry and to chat with the audience?

So here I am in the middle of the night adding and subtracting from the list, a mini-referendum for each poem; in or out?

And as I think I’m nearly there I wonder about finishing one or two of the bunch of poems still under construction, but it gets late and “what if they aren’t ready, what if they won’t be good enough?” and the poet tries to get some sleep.