Coverage on All Across the Arts

When I first noticed my picture in the Rochdale Observer I was surprised as I hadn’t expected to be the focus of an article by Norman Warwick. I’ve known Norman, as he says, for quite a long time and have on occasion had the chance to work alongside him. Reading the words Norman had written about me I was genuinely moved.

The paragraph “He faces straight ahead into concerns that even poets often turn away from and he addresses those concerns with an honesty and courage too many of us lack” really hit home, making me think about why I write the things I do. If I can continue to live up to that in my writing and in creating and leading workshops for writers and young people then I will be more than satisfied.

Image of article from Rochdale Observer

As a poet I don’t always choose my topic or subject, often they tend to choose themselves in the way that events are thrust upon us and cannot be ignored. Sometimes when things happen I find it impossible not to respond poetically; such responses are not always immediate and I tend not to use writing as a catharsis.

The poems that emerge from life events are some of the hardest to create and I feel that I only write well when I am thinking clearly and although emotions have a massive part in that writing they must take a back seat in the drive to a finished piece.

When we write all of us are influenced by our own personal experiences but when we write for an audience, for readers, then each person hearing or reading the work needs to feel a connection to it. If I write about a personal event I don’t want to exclude others so I talk about the feelings that all of us will have experienced at some time. For example when I wrote about the loss of my own Dad in “A platform I don’t know” I didn’t talk about the amazing man I had lost but rather about how that loss makes you feel about we respond to it. You can listen to “A platform I don’t know” but clicking HERE or you can find it in my book, Thinking Too Much, which you can buy HERE.